Friday, April 22, 2011

American Music

With the ever-expansive "indie" scene, and with the birth, and rise of independent labels, for the first time in a long time, I've felt that there have been a string of good years for music. Recently, I am coming across more satisfying music due to the diverse availability of music. If this is a rhythm in pop music history, I hope that this upswing doesn't recede anytime soon.

It was in the 1950s and 1960s that a boom occurred. What I consider the original modern independent labels in America (Atlantic, Motown, etc) brought much change to the music-scape of Post-War America. Motown brought new sounds in soul and R&B, while Atlantic also invested in to Rock n' Roll, Jazz, and Country/Western. Without these efforts, bands and artists would have produced a different era in music. Without Motown, R&B would not be what it is today. Without Atlantic, Jazz, Country and Rock would not be what it is today. Can you imagine a world without the impact of the Temptations, the Supremes, the Jackson 5, Marvin, Stevie, Smokey, Ray, Coltrane, Mingus, Otis, Ben E., among others? And all occurring before the era of record company acquisitions beginning in the late 1960's, until the mid-2000's.

That's why I cannot but think of their influence when I listen to Fitz & the TantrumsAWOLNATIONMumford & Sons and others at all times of the day. In Fitz, there's a modern attempt at an old sound once-discovered in a house in Detroit. In AWOLNATION, there is the exploration of sound and rock found in the halls of New York, and Mumford & Sons takes us back to the spirit of Nashville. All of these efforts are allusions to what I consider the golden era of pop music. The mid-century gave a broad spectrum in the form of popular music, and when the industry turned to acquisition over creativity, that energy, though dormant for 40 years, gave rise to a generation where indie records out-pace any major record company's efforts to contain this indie phenomenon. So, to the musicians coming out today, not found in the Gaga's or Perry's, but in the corners of houses, padded with egg-carton soundproofing, your work always has the potential for a new golden age of pop music.

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